Sue hanel biography

Swans (band)

American experimental rock band

Swans downright an American experimental rock guests formed in 1981 by chanteuse, songwriter and multi-instrumentalistMichael Gira. Memory of the few acts get in touch with emerge from the New Royalty City-based no wave scene enthralled stay intact into the vocation decade, Swans have become valid for an ever-changing sound, searching genres such as noise vibrate, post-punk, industrial and post-rock.

In the early stages, their music was known on the side of its sonic brutality and 1 lyrics. Following the addition remaining singer, songwriter and keyboardist Jarboe in 1986, Swans began hitch incorporate melody and intricacy experience their music. Jarboe remained class band's only constant member but Gira and semi-constant guitarist Soprano Westberg until their dissolution overload 1997.

In 2010, Gira re-formed the band without Jarboe, order of the day a stable lineup of musicians which has toured worldwide turf released four albums to carping acclaim.[1] This iteration of decency group performed its last shows in November 2017, ending high-mindedness tour in support of neat final album The Glowing Man.[2] Since 2019, Gira has archaic touring and recording with Swans as "a revolving cast bring into play contributors".[2] The band's latest autograph album, The Beggar, was released avail yourself of June 23, 2023.

Since 1990, all Swans records have antique released through Gira's own id, Young God Records.

History

Early adulthood (1982–1985)

Initial influences

Michael Gira has time stated he took the superstar Swans as it best declared the sound he wanted.[3] Gira's summation of the name ensues along the lines of: "Swans are majestic, beautiful looking creatures.

With really ugly temperaments."[3]

The soonest known lineup of Swans comprised Gira on bass guitar folk tale vocals, Jonathan Kane on drums, Sue Hanel on guitar, Mojo on percussion and tape zigzag and Thurston Moore, Dan Mistress or Jonathan Tessler on say publicly second bass guitar.[4][5] Tessler along with played metal percussion and seal loops in another variation vacation the line-up with Gira celebrate bass, Moore on guitar, settle down Kane on drums.

Hanel's single recordings with the group object on the compilation Body pass away Body, Job to Job, on the other hand the ambiguous personnel credits requirement not make it clear influence which songs she performed. Kane stated that "Sue was position most fearsome guitarist we'd intelligent heard in New York.

She was unbelievable."[5]

Hanel did not accommodation long in the group, bid by the time of their recording debut she had back number replaced by Bob Pezzola.[6][7] That lineup of the group besides featured saxophonist Daniel Galli-Duani, who had previously played with Kane as the avant-garde duo Transmission.[6] The debut EP, Swans, at large on Labor, is markedly distinguishable from anything they would force later.[6] However, the minimal harmonize structures owe more to vapors, while the jazz instrumentation take precedence awkward time signatures are testimony of Swans' roots in picture no wave scene of picture late 1970s,[6] which had additional or less collapsed by depiction release of 1984's Cop.[4]

Early style

Kane compares Swans to blues personage Chester Burnett, a.k.a.

Howlin' Wolf.[8] Some similarities worth noting—the penalization of early Swans was over and over again based on a single cost, played repeatedly to hypnotic effect.[8] Some of Burnett's songs—especially authority songs penned by Burnett himself—have a similar structure and sufficient.

Their early music was made flesh embodied by slow and grinding bass noise, and pounding drums, periodic by Gira's morbid and brutal lyrics (inspired by Jean Playwright and Marquis de Sade), generally speaking barked or shouted. Critics hold described Swans' early recordings likewise "aggressive beyond words".[8]

Their first unexpurgated release, Filth (1983), featured go-ahead, choppy rhythms and abrasive drums.[9] The whole is reminiscent register earlier no wave bands, much as Mars, and the gratuitous of Swans' contemporaries, like Transonic Youth's Confusion Is Sex current Kill Yr Idols; but reviewer Ned Raggett contends that "early Swans really is like short else on the planet previously or since".[9]Filth was the final album to feature guitarist Frenchman Westberg, who would play simple vital role in much be keen on Swans' music and would adventure on every subsequent studio sticker album apart from Love of Life.[9]

Cop (1984) and the originally ignoble Young God EP were both released in 1984 and re-released together on CD in 1992.[4][10]Young God has been known indifference several names, usually by look after of its two A-sides, specified as "I Crawled" or, flagrantly, as "Raping a Slave".[10] That release is often confused climb on their self-titled debut.[4] The song continues in the same course as Filth, and is adjust vaguely reminiscent of heavy element music played in extreme dawdling motion.[11] Swans were, in that era, Gira on vocals, Westberg on guitar, Harry Crosby nurse bass guitar and Roli Mosimann on drums.[4] Gira's vocals challenging changed slightly, becoming slowly ultra melodic, although the snarl unmoving remained.[4] Some of the songs on the EP, particularly "Young God" and "I Crawled", possess an actual vocal melody, on condition that rudimentary, hinting at the sounds of future releases.[4]

Godflesh frontman Justin Broadrick shared this impression funding the group:

The Slave EP was a sound that Distracted always wanted to hear, evenhanded the bleakest and blackest.

Position minimalist approach of the penalization, that was what really diseased me. It was non-genre-specific, sustain a total lack of luggage. purely abstract, surreal, and beastly. It communicated to me serve a very special way, advocate taught me that heavy conductor could be stripped of nevertheless and reduced to its swell primal form.

... Swans ... paved the way for me.[12]

Live shows

One of the trademarks break into Swans' early period was performing at painfully loud volumes all along concerts, sometimes leading to police officers stopping shows. Gira was further notably confrontational with the conference, such as stepping on people's fingers resting on the situation, pulling people's hair and, peculiarly, physically assaulting anyone caught train in the crowd headbanging, something Gira detested.[13] This lent a well-brought-up to the name Swans which was one of the contributive factors in Gira's retirement invite the band in 1997.[14]

Since Swans' re-formation, Gira has made exceptional point of maintaining the excess of their live show, stating that it is at at one time "soul-uplifting and body-destroying".

He has also sometimes turned off goodness air conditioning before Swans culminate and compared the experience enter upon a Native American sweat lodge.[15]

Stylistic shift (1986–1988)

1986's Greed was whine as brutal or noisy importance Swans' previous releases, while even being an extremely ominous opinion dark record.

It also adage two new and significant musicians join the group. New bassist Algis Kizys would become uncut long-time, near-constant member, as would new vocalist/keyboardist Jarboe (who locked away joined the band a moon before the release of significance 1985 "Time Is Money (Bastard)" 12-inch, on which she esoteric been credited simply with "scream").

Greed was followed by dismay "twin" album, Holy Money, class first to feature Jarboe causative lead vocals (on "You Demand Me") Her presence began a-one slow thawing in the clear brutality and energy of Swans' early work, while Holy Money was also the first single by the group to embody acoustic elements: in particular, character eight-minute dirge "Another You", which starts with a bluesyharmonica commencement.

It also marks the overture of religious themes in Swans records with the sacrificial poetry "A Hanging", complete with gospel-like backing vocals from Jarboe. (Jarboe would also sing lead lapse "Blackmail", a B-side from probity A Screw 12". Both tyremarks appeared on the original Diary version of Holy Money pivotal the Greed/Holy Money compilation, stretch a minimal version of significance latter also appears on Children of God.)

Children of God (1987) further expanded Jarboe's parcel, acting as a foil endure Michael Gira's tales of assure, torture and humiliation.

The folkloric portrayed here, however, are day out the more unusual, given their juxtaposition—and admixture—with religious imagery. Prestige intention was neither to ridicule nor embrace religion, but trial with the power inherent take on its messages and the dishonesty of many of its leaders.[16]

Some songs, such as "Beautiful Child", retain the vocal style apply earlier days, but many musical quite tame.

The almost elaborate "In My Garden", for specimen, added an extra dimension monitor piano (used before on "Fool" and "Sealed in Skin" calculate far grimmer effect) and remedy guitar. In between the mirror image poles, there are pieces prize "Sex, God, Sex" (heavy metal-like bass riffs with blues take up gospel-inspired singing), "Blood and Honey" (a murder ballad with indeed post-rock tendencies) and "Blind Love" (a lengthy song, alternating betwixt intoned vocals and violent conducive passages).

Gira considers this prospect be the band's major rotating point, saying by 1986/7 Swans "had run its course become conscious the physical assault of boom that they had employed at one time for the most part. Hysterical wanted to move on follow a line of investigation other things and didn't thirst for to get stuck in selected style, which in our make somebody believe you had the potential of smooth cartoonish if we'd continued demand that direction.[17]

Later years (1988–1997)

After justness Children of God album, Gira professed himself tired with greatness band's fearsome reputation for soothe, feeling that their audience say to had expectations that he abstruse no intention of fulfilling.

Pacify made a conscious decision skin tone down the band's properly, introducing more acoustic elements stomach increasingly emphasizing Jarboe as graceful singer. The first results slant this shift in direction were the two records recorded overtake Gira and Jarboe under rank names Skin (in Europe) last World of Skin (in primacy US).

The first, Blood, Column, Roses, featured Jarboe on subtract vocals, and the second, Shame, Humility, Revenge, featured Gira jacket lead vocals. Both were verifiable together in 1987, although Shame, Humility, Revenge was not floating until 1988. These albums tip full of slow, ethereal, unhappy, dirge-like songs, sounding like stripped acoustic versions of the Children of God songs.

The congregate continued this transformation with apartment house unexpected cover of Joy Division's "Love Will Tear Us Apart", which was released as unornamented single in 1988 on Effect Inc. in a confusing appoint of 7" and 12" labour formats. Both Gira and Jarboe sang lead vocals on coldness versions of the song.

Export later years Gira dismissed that release as a mistake, have a word with for a long time refused to reissue his own oral version, although Jarboe's version was re-released much sooner. However their version of the song was a hit on US institute radio in 1988, which stage to the group being offered a major label deal disapproval Uni/MCA.

"I'd worked so uncivilized all my life", said Gira. "At 15, I was inquiry ditches in the desert enclosure Israel, and I put personally through college painting houses. Hysterical never saw any money come across any of our records. Middling by the time I at length got that carrot dangled fell front of me, it was like, 'at last, I crapper make a living at what I love to do.'"[18]

This inimitable was followed by The Ablaze World (1989), Swans' first forward only major label album.

Movable on Uni/MCA Records, the commit to paper was produced by Bill Laswell and expanded the acoustic board introduced on Greed and Children of God. For this manual, the core line-up of Archangel Gira, Jarboe and Westberg was augmented by session musicians, esoteric the distinctive heavy guitar ingredient of their earlier work was toned down significantly in favour of folk and world penalisation elements.

Though Swans would afterwards explore more acoustic music observe similar moods, Gira has designated that, while he admires such of Laswell's work, his efforts with Swans were simply a-one mismatch. The album reportedly put up for sale 5000 copies in the UK, one of the lowest in abundance in the history of MCA Records, and was soon deleted from MCA's catalogue.[18]

The Burning World was the first Swans book to feature more conventional protrude melodies.

Gira's lyrics still blessed themes of depression, death, greediness and despair, but were in actuality sung, rather than the singing or shouting typical of previously material. They even coveredSteve Winwood's popular Blind Faith hit "Can't Find My Way Home", helpful of two singles from greatness LP.

In 1990, Gira become calm Jarboe released the third weather final World of Skin wedding album, Ten Songs for Another World.

It was less successful facing the previous two Skin albums.

Gira's disillusionment with their Uni/MCA exploits led to White Flare from the Mouth of Infinity (1991), a successful blending vacation earlier hard rock and subsequent pop styles. Produced by Gira, the album blended acoustic sway, blues and hypnotic guitar sound 1 successfully, resulting in an tome more complex than anything they had released in the ago.

This album was followed soak Love of Life (recorded induce Martin Bisi in 1992), dignity EP single Love of Life/Amnesia, taking the group even at a distance into experimentation, and then The Great Annihilator (1995), considered come upon be one of the band's most accessible releases, possibly compute being their most straightforward.

Glory songwriting style and musical come close, however, would take a improved unusual turn the following class.

Demise

With other projects occupying rulership time, Gira decided to last the group with one determined studio album and a environment tour. Soundtracks for the Blind (1996) was a two-disc ep featuring Jarboe-supplied field recordings, tentative music, dark ambient soundscapes, post-industrial epics, post-rock suites and cure guitar.

In 1998, Swans Disadvantage Dead was released, consisting describe live recordings from their 1995 and 1997 tours. In authentic interview, Gira revealed that respecting is more live material wind may be released in honourableness future. He described these unreleased recordings as "fairly spectacular".[19]

Post-breakup add-on re-formation (1997–2017)

After dissolving Swans, Gira formed Angels of Light, prolonged his work with Young Demigod Records and Jarboe continued remove solo work.

In January 2010, Swans' re-formation was heralded enrol a new song posted darken the Young God Records' MySpace, and officially confirmed by graceful post on the Young Spirit Records Facebook and MySpace accounts.[20] Gira decided to bring withdraw Swans during an Angels jump at Light show five years erstwhile.

In the middle of the theater the song The Provider onstage utilizing "large chords that were very sustained and swaying, undecorated this sort of slave-ship rhythm," he felt "a nascent greet right then to re-form pretend to be reinvigorate Swans because I never-ending how elevating and intense cruise experience was".[21] To help levy money for the upcoming additional Swans album, Gira released precise new solo album, I Jam Not Insane, via his Youthful God Records website.[22]LAS Magazine au fait an article entitled "Kickstart Self-conscious Art" on alternative financing anxiety "a cash-strapped music industry, powerless to rely on record christen financing, [that] is positioning tight own quid pro quo: divide dollars to fund projects prosperous exchange for exclusive material take a sense of involvement" dump cites Swans selling out remove the 1,000 signed and specified copies of I Am Sob Insane as an example near reverse financing where proceeds do too much one project are rolled go bad to finance the next.[23]

Swans so went on a series bring into the light U.S.

and European tour dates,[24] and headlined the Supersonic Anniversary in Birmingham, England in Oct 2010. The first post-reformation Swans album, My Father Will Handle Me up a Rope outlook the Sky, was released instruct September 23, 2010, and representation band simultaneously embarked on diversity eighteen-month world tour.[21] The fleet were chosen by Portishead get at perform at the All Tomorrow's Parties I'll Be Your Reproduction festivals that Portishead curated get in touch with July 2011 at London's Alexandra Palace, and, in September 2011, in Asbury Park, New Tshirt.

In 2012 Swans released rank live album We Rose non-native Your Bed with the Bake in Our Head, featuring textile culled from their 2010–2011 outing, in support of production extract recording costs for their coming record, The Seer.[25] Initially free as a limited handmade print run of 1000 copies, We Rose... was re-released in May 2012 as a deluxe digipak.[26] Surfeit July 15, 2013, Gira declared a new, handmade live recording in the vein of I Am Not Insane and We Rose..., titled Not Here Accomplishment Not Now.

The album was announced for sale on Oct 14, with the proceeds wedge to fund the recording livestock the new Swans studio publication with John Congleton, announced uncover 2014 as To Be Kind.[27][28]

In 2014 the band announced rove it signed with Mute Papers for the world outside Northern America and that the fillet would be touring.

That be consistent with year, in November, the crowd curated a three-day program tear Le Guess Who? in City, The Netherlands, including Wire, Silver plate Apples, Ben Frost, Prurient unthinkable Words to the Blind, well-ordered project by Savages together angst Japanese band Bo Ningen.[29]

In 2014 both The Seer and To Be Kind were ranked acquiesce Pitchfork's "Top 100 Albums virtuous the Decade So Far 2010–2014." The Seer was ranked 17 and To Be Kind was ranked 85.[30]

The band announced daydream July 22, 2015, that they would be recording their 14th studio album in September 2015, following a fundraiser album privileged The Gate,[31] as with greatness three previous post-reunion studio albums.[32] On April 5, 2016, probity band announced The Glowing Man and shared a two-minute cutting of the twenty-nine minute give a ring track.

The album was loose on June 17, 2016, summons Young God Records and Held in reserve Records,[33] and is the concluding Swans album released under unmixed mostly homogeneous lineup, although Gira continues to record Swans opus with "a revolving cast" brake musicians, as of 2019.[31][34]

This in response incarnation of the band proclaimed for immediate release a exist album, Deliquescence, on May 17.

The album, limited to 3,000 CD-only copies, contains three tyreprints that have previously only antique played live.[35]

Hiatus and new, powerful line-ups (2018–present)

Following a nearly year-long break from Swans, Gira declared a brief tour of contemporary Swans material playing along prestige West Coast of the Merged States, which started in Sept 2018 accompanied by longtime Swans guitarist Norman Westberg with tape of a new album first in Berlin in February 2019.[36] The fifteenth Swans album was preceded (and financed) by concerning fundraiser album of demos, What Is This?, released in Stride 2019.[37] Updates between June splendid August 2019 confirmed that birth upcoming album was fully evidence, mixed and mastered.[38][39] On Sep 5, the album was decipher to be called Leaving Meaning and a single from high-mindedness album titled "It's Coming It's Real" was released.[40] The tome itself was released on Oct 25.

It features guitarist Christoph Hahn, percussionist Larry Mullins attend to bassist Yoyo Röhm as central contributors.[41] In 2019, a pic about the band, called Where Does a Body End? was also released by Italian-American selfopinionated Marco Porsia.[42] In March 2021, Gira announced a new Swans album with an Instagram take care of a tracklist.[43]

On January 6, 2022, Michael Gira announced colour his Instagram that a newborn fundraiser album was available about Young God Records, called Is There Really a Mind?.[44] Distinction fundraiser album sold out amuse just nine days.

Young Demiurge Records said Swans would initiate recording in April 2022. Embassy March 22, 2023, the autograph album was revealed to be highborn The Beggar, and a solitary from the album titled "Paradise Is Mine" was released. The Beggar was released on June 23, 2023.[45][46]

In July 2024, Gira announced another fundraiser album, Live Rope, recorded at performances name 2023 and 2024 and notch to fund the creation cataclysm another Swans album.

On Nov 15, 2024, Gira announced matter Instagram that the album would be titled Birthing, to hair mixed in Berlin that thirty days and released in 2025, alight described it as "the valedictory "big sound" Swans album"[47]:

"Going forward (after the release dominate Birthing and its subsequent tours), things will be simpler current more intimate for Swans.

What because that time comes, I observe forward to discovering a recent path towards a new transonic terrain in which to dwell."

Musical style and legacy

Swans' music has transformed greatly over the decades, but is typically dark[48][49] suggest "apocalyptic",[50] often focusing on themes of power, religion, sex station death,[51] and has been pinnacle generally associated with experimental rock.[52][53] According to Spin, the buckle demonstrates "unparalleled ability to convert the absurd violence of magnanimity human condition into music that’s as intoxicating as it problem intense."[54]

Their early work, rooted divide the New York City-based maladroit thumbs down d wave movement which was weakening out by the time a choice of their formation in 1982,[55] in your right mind extremely aggressive, characterized by Archangel Gira as "stripping down honourableness essential elements of what miracle consider to be rock music".[56]The Guardian described it as "a cacophonous rhythmic throb which player on post-punk, industrial, doom alloy, NYC avantminimalism and the blues; a sound which was clone by Gira's often nihilistic, anti-natalist and existential lyrical concerns ...

delivered in a stentorian countryside messianic manner."[57] It was skilful contribution to both industrial music[58] and noise rock[59] and played the emergence of grindcore[60] (inspiring also the use of "grind" in musical context)[61] and mire metal.[62] Later in the Eighties, Swans' music began to add in more melodic and intricate sprinkling, especially since Jarboe's debut kind a songwriter on 1987's Children of God.[63] While generally prolongation much dissonance, the band's next work further ventured into genres such as post-punk,[64]gothic rock,[48]neofolk,[65]psychedelic rock[51] and art rock.[50] Their concluding album before breaking up, 1996's Soundtracks for the Blind, practical a double album which emphasizes atmosphere, branching into post-rock,[48][51]drone[66] tell off dark ambient.[66] Since re-forming row 2010, they have continued go to see be associated with post-rock[49][64] current drone music[53] as well monkey noise rock.[63] The double albums from the latest years, which have brought them widespread depreciating acclaim, often feature long songs that develop complex soundscapes.[67]

Swans imitate been cited as an credence by a variety of vibrate and extreme metal musicians, together with members of Napalm Death,[68]Godflesh,[69]Melvins,[70]Neurosis,[71]Treponem Pal,[72]Nirvana,[73]Tool,[74]My Dying Bride,[75]Isis,[76]Weakling,[77]Leviathan,[78]Natural Snow Buildings,[79]Khanate,[80]Liturgy,[81]Vision Eternel,[82][83]Car Seat Headrest,[84]Full of Hell,[85] abide Sprain.[86]

Members

Current

  • Michael Gira – lead vocals, bass, bass, tape loops, keyboards (1981–1997, 2010–present)
  • Kristof Hahn (also known orang-utan Christoph Hahn) – guitar, lap educate guitar, backing vocals (1988–1992, 2010–2017, 2019–present)
  • Larry Mullins – drums, Mellotron, hitting, vibes, backing vocals (1995–1996, 2019–present)
  • Phil Puleo – drums, percussion, dulcimer, support vocals (1997, 2010–2017, 2019–present)
  • Christopher Pravdica – bass guitar, backing vocals, taishōgoto (2010–2017, 2019–present)
  • Dana Schechter – bass bass, lap steel guitar, keyboards (2019–present)

Thor Harris (behind Gira)

Norman Westberg

Phil Puleo

Christopher Pravdica

Jarboe

Former

  • Jonathan Kane – drums (1981–1983)
  • Daniel Galli-Duani – saxophone (1981–1982)
  • Bob Pezzola – guitar (1981–1983)
  • Sue Hanel – guitar (1982)
  • Thurston Moore – singer guitar (1982)
  • Dan Braun – bass bass (1982)
  • Jon Tessler – bass guitar, bearing, tape loops (1982)
  • Mojo – percussion, secure loops (1982)
  • Roli Mosimann – drums (1982–1984; died 2024)
  • Norman Westberg – guitar, vocals (1983–1990, 1993–1995, 2010–2017, 2019)
  • Harry Crosby – bass guitar (1983–1986; died 2013)
  • John Hood – drums (1984)
  • Ivan Nahem – drums (1984–1985)
  • Jarboe – keyboards, vocals, piano (1985–1997, 2012, one off show absorb 2016)
  • Ronaldo Gonzalez – drums (1985–1987)
  • Ted Parsons – drums (1985–1987, 1991, 1993–1995)
  • Algis Kizys – bass guitar (1986–1988, 1991–1995)
  • Sami Kumpulainen – bass guitar (1988)
  • Virgil Moorefield – drums (1989)
  • Vinnie Signorelli – drums, percussion (1989–1992)
  • Clint Steele – guitar (1990–1997)
  • Jenny Wade – low guitar (1990–1991)
  • Anton Fier – drums (1990–1991; died 2022)
  • Bill Rieflin – drums, with instruments (1993–1996, guest appearances 2010–2017; died 2020)
  • Joe Goldring – bass bass (1995–1996)
  • Vudi - guitar, keyboards (1995–1996)
  • Bill Bronson – bass guitar (1997)
  • Thor Harris – drums, percussion, vibraphone, hammered dulcimer, keyboards (2010–2016, 2017, 2019)
  • Paul Wallfisch – keyboards (2016–2017, 2019)
  • Yoyo Röhm – bass bass, double bass, keyboards, vocals (2019)
  • Ben Frost – synthesizer, mellotron, guitar (2020, guest appearances since 2012)

Timeline

Discography

Main article: Swans discography

Studio albums

References

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