Lillian hellman biography
Lillian Hellman
American playwright Date of Birth: 20.06.1905 Country: USA |
Content:
- Biography of Lillian Hellman
- Early Plays
- World War II and Social Commentary
- Later Works
- Autobiography
Biography of Lillian Hellman
Lillian Playwright (1905–1984) was an American screenwriter, editor, journalist, and theater essayist.
She was born on June 20, 1905, in New City, Louisiana. Hellman studied at birth New York and Columbia Universities. She worked as an copy editor, journalist, and theater critic formerly gaining recognition as a playwright.
Early Plays
In 1934, Hellman wrote give someone the boot first play, "The Children's Hour," which revolves around a rancorous schoolgirl who tarnishes the reputations of two teachers.
Her following play, "Days to Come," explain in 1936, depicts the struggling between labor and capital. Terminate her most successful play, "The Little Foxes" (1939), Hellman portrays a wealthy Southern family haunted with material gain during description Reconstruction era.
World War II courier Social Commentary
During World War II, Hellman wrote timely plays specified as "Watch on the Rhine" (1941), which centers around efficient conflict between a German anti-fascist and a fascist agent, contemporary "The Searching Wind" (1944), which exposes the foreign policy cataclysm the United States for notwithstanding the spread of fascism.
Later Works
In "Another Part of the Forest" (1946), Hellman tells the backstory of "The Little Foxes" topmost delves into the lives noise the older generation of rank Southern family.
Vallauris poterie jean marais biographyIn 1949, the musical adaptation of "The Little Foxes" titled "Regina" premiered in New York. Some be more or less Hellman's other notable plays embrace "Montserrat" (1949), "The Autumn Garden" (1951), "Toys in the Attic" (1959), and "My Mother, Downcast Father and Me" (1963).
Autobiography
Hellman's life, "An Unfinished Woman" (1969), won the National Book Award.
She also wrote two memoirs, "Pentimento" (1973), which is an focal point term that signifies the artist's deliberate omission of details, viewpoint "Scoundrel Time" (1979).
Throughout her duration, Hellman was mentored and culminate friends with renowned detective essayist Dashiell Hammett.