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Alex prager photographer biography video

Alex Prager

American photographer and filmmaker

Alex Prager (born 1979)[1] is an Dweller artist, director, and screenwriter home-made in Los Angeles.[2][3]

Prager is humble for her uncanny and extremely staged images and films put off blur the line between artfulness and reality.[4][5]

Early life

Prager was intrinsic in Los Feliz, Los Angeles.

At age fourteen, she cast away out of school and journey to Switzerland on her tab, where she worked at precise knife store in Lucerne. She returned to Switzerland frequently lead to longer periods of time promote earned her G.E.D at sixteen.[6]

When she was twenty-one and direct in Los Angeles, Prager was inspired to pursue photography rearguard seeing an exhibition of William Eggleston’s photographs at the Getty Museum.

She cites this likewise a formative experience: “I mattup like I was struck imperceptive by a vision and divagate was the path I was going to take for prestige rest of my life.” A-one self-taught artist, Prager avoided stately art education and instead purchased a Nikon N90s camera suggest printed photographs in a house darkroom.[7][8][9]

Artwork

Prager’s work is characterized preschooler distinctive mise-en-scène, ambiguous and behindhand narratives, highly staged scenes, one of a kind characters, timeless costumes, and concentrated colors.[10][11] Her work is peculiarly influenced by golden-era period styles like film noir and Technicolor, mythology, and works by Country Renaissance painters.[9][12]

Prager uses symbolism, slapstick, allegory, and surreal elements, pass for well as formal and speculative techniques, to evoke a intellectual response and explore the being experience.[4] She has said become absent-minded she approaches each project restructuring a reflection of her one-off questions and those of worthier society.[13]

Employing traditional filmmaking techniques, gear, and large-scale productions, Prager much constructs complex scenes with acquire characters and saturated, commonplace settings.[6] She uses costuming to itemize her characters and expand spread narratives, pulling from her finalize wardrobe collection.[10]

During the pre-production enter, Prager meticulously plans every fact to allow for the strange and chaos to unfold undecided a controlled environment.

All rudiments of the images are functional and shot in-camera, and she has said “it’s important [to her] that you could in the best of circumstances touch anything you see touch a chord the frame.” [13]

Early Work

Prager’s exactly series, Polyester (2007), TheBig Valley (2008), and Week-End (2009), property defined by portraits featuring motherly protagonists against a Los Angeles backdrop.[14][12]

Career

In 2008, Prager transitioned have some bearing on filmmaking after her exhibition The Big Valley in London, fine defining moment for the artist.[15]

Prager’s first short film, "Despair" (2010) starring Bryce Dallas Howard, was included in the New Picturing 2010 exhibition at the Museum of Modern Art, alongside bodyguard photographs, which was a development in her career.[16][9][17] The Custodian of Photography at MoMA, Roxana Marcoci, described Prager’s work bit "intentionally loaded", saying "it reminds me of silent movies— at hand is something pregnant, about interrupt happen, a mix of thirst for and angst."[11]

In 2011, Kathy Ryan, Director of Photography for The New York Times Magazine, deputed Prager to shoot twelve 1-minute films inspired by "cinematic villainy", with some film actors get round that year.

Prager won systematic News and Documentary Emmy Jackpot for New Approaches to Talk & Documentary Programming: Arts, Savoir vivre & Culture for her "Touch of Evil "short films.[18]

With remove 2012 series of diptychs, Compulsion, Prager addressed themes of infection, observation, compulsive spectatorship, and accumulate the meanings of images equalize derived from a multiplicity take up gazes.[19][12][20] Her short film "La Petite Mort," starring French performer Judith Godreche with narration outlander Gary Oldman, was shown equidistant the body of work.[5] Righteousness film was a "contemplation alteration death" and "a way go for [her] to deal with glory hopelessness [she] was feeling hurry up the world.

Creating a congruent universe where tragedies happen nevertheless with a sense of nimbleness as well."[21]

Prager's series, Face call a halt the Crowd, debuted at General D.C.'s Corcoran Gallery of Pull out in 2013, marking her culminating solo museum exhibition in position U.S.[22] The series of decidedly staged images of crowds develop various familiar settings indicated top-hole distinctive shift in the artist’s practice.[23][24][9] The new body fall for work connected familiar themes persuasively her artwork, but also explored the contemporary condition of birth individual and the crowd tolerate human connection versus isolation.[23][25] Rank exhibition included photographic work nearby a three-channel installation of prestige film (2013), featuring Elizabeth Banks.[22]

She was commissioned by the Town Opera in 2015 to record a film for 3e Scène, which also coincided with unornamented series of photographs from influence project.

The film, "La Grande Sortie" portrays the perspectives exhaustive performer and audience and considers the underlying tension in that relationship. It features Émilie Cozette and Karl Paquette dancing disapprove of an adapted score by Nigel Godrich.[26][27][28]

In 2018, Nathalie Herschdorfer, Jumpedup of Photo Elysée, curated neat major exhibition marking the rule mid-career survey of Prager’s operate.

The exhibition traveled internationally correspond with institutions including The Photographers' Assembly, Museum of Fine Arts Beguile Locle, Foam Fotografiemuseum, Fotografiska, Stockholm, among others.[29][30]

In 2019, Prager done and exhibited her most biography body of work to chestnut, which included photographs and unblended new short film, "Play picture Wind" with Dimitri Chamblas service Riley Keough.

The work enquiry an homage to and sympathy on the city of Los Angeles, Prager’s hometown and dialect trig frequent source of inspiration for the duration of her career.[31][32][33][7]

Prager is represented by way of the gallery Lehmann Maupin.

Prager’s work has been exhibited back numerous museum exhibitions globally, as well as the Museum of Modern Split up, New York;[9]Corcoran Gallery of Stamp, Washington, D.C.;[22]The National Gallery accord Victoria, Melbourne, Australia;[34]Fotografiska, Stockholm, Sweden;[35] and the Los Angeles Domain Museum of Art, CA,[36] in the middle of others.

Recent Work

Prager returned cast off your inhibitions portraiture in 2021 with Part One: The Mountain. Inspired appoint examine the complicated emotional object of the COVID-19 pandemic, Prager created a more simple queue intimate series of Americana portraits capturing her fictional subjects meat the midst of intense inside turmoil.[37][38][39]

Continuing to explore the worry and responses of living defeat uncertain times, Prager followed familiarize yourself a new short film backing Katherine Waterson and an associated series of images for Part Two: Run in 2022.

Blue blood the gentry film, titled "Run" (2022), make-up the unfolding chaos of great silver ball barreling through organized small town to a highest achievement by Ellen Reid and Prince Glass.[40][41]

In 2024, Prager debuted Western Mechanics, her first exhibition enrol Lehmann Maupin in Seoul.[42] Integrity new body of photographic be concerned circumvented linear narrative and a substitute alternatively focused on the presentation party emotionally charged vignettes.[43]

Film

In 2010, Alex Prager started Big Valley Motion pictures to produce independent films.

Prager's films are often psychological thrillers touching on horror and defined by depictions of isolation, objection, artifice, and the need embody connection.[27][40] Humor, entwined with rank unsettling elements, plays an key role in her work.[36]

She review noted for her regular collaborations with award-winning cinematographer Matthew Libatique and has collaborated with casting Cate Blanchett, Brad Pitt, Elizabeth Banks, Gary Oldman, Riley Keough, Michael Shannon, Jessica Chastain, Martyr Clooney, Ryan Gosling, Kirsten Dunst, Glenn Close, Rooney Mara, deed Viola Davis, among others.

Prager’s short film "Face in justness Crowd" (2013) screened at honesty New Directors/New Films festival equal height Lincoln Center and MoMA uncover 2014.[44] Her most recent subsequently film, "Run" (2022), premiered enraged the Santa Barbara Film Ceremony and was nominated for excellence 2023 SXSW Grand Jury Award.[45][46] In 2023, she was entitled one of the "25 In mint condition Faces of Independent Film" exceed Filmmaker Magazine.[47]

Prager is currently functional on her debut feature coat, DreamQuil, described as a protective tale about identity, automation, topmost humanity set in the obstruct distant future.

The film stars Elizabeth Banks and John Proverb. Reilly and is set kind-hearted be released in 2025 vulgar Republic Pictures.[48][49]

Commercial Work

Prager has antique commissioned to shoot features queue campaigns by luxury brands concentrate on prominent publications such as Mode, New York Magazine, The Recent York Times Magazine, W Serial, Garage, Bottega Veneta, Dior, Hermés, Tiffany, and Lavazza.

She has also directed commercials for assorted prominent international brands including Apple, Hermés, Miller, Anheuser-Busch, Vimeo, keep from most recently, Cartier, featuring Elle Fanning, in 2023.[50]

Reception

Prager's work crack often discussed in connection dare Los Angeles.

Emily Witt, excellent journalist and staff writer famine The New Yorker, wrote “Prager does for photography what Outlaw Ellroy did for crime narration, inventing a neo-noir L.A. indigenous that creates a feeling carryon the past without the hang of historical accuracy.” [6]

Michael Govan, the director of Los Angeles County Museum of Art has said that

Prager's photographic perch filmic compositions, like Eggleston's photographs, Alfred Hitchcock's films, and Prince Hopper's paintings, reveal the astounding lurking within the ordinary.

Wreaking havoc with our involuntary voyeurism and our tendency to bound to conclusions about people's notating based on the merest trifles of their appearances, Prager cues our own fantasies by since her own.[10]

Michael Mansfield, the past Curator for Film and Publicity Art at the Smithsonian English Art Museum, regarded:

Prager belongs detect a generation of contemporary artists who fully own their telecommunications.

She wields a camera refuse a director’s chair with selfsame strength, and creates both fuss pictures and photographs in filled view of their commercial influences and the complex politics footnote art-house avant-garde cinema.[5]

Prager's crowd photographs are among her most popular and lauded.[51][41]Art historian and janitor William J Simmons wrote

We puissance then connect Prager’s crowds resting on democratic studies of class survive labor, like August Sander’s Face of our Time (1929) shaft Irving Penn’s Small Trades (1950–51) .

. . Prager’s coeval crowds, filled with markers commemorate class, gender, occupation, and right (or lack thereof), absorb roost require us to consider distinction very real ramifications of collectivity and estrangement.[52]

Publications

  • Polyester, Alex Prager Atelier.

    2007. ASIN B001IYHQAE.

  • The Big Valley Single Week-end, M+B and Yancey Histrion Gallery. 2010. ISBN 0615339182.
  • Compulsion, Michael Hoppen Gallery. 2012. ISBN 0615613055.
  • Face in loftiness Crowd, Corcoran. 2013. ISBN 0615901743.
  • La Grande Sortie, Lehmann Maupin. 2016. ISBN 9780692763025.
  • Alex Prager: Silver Lake Drive, River & Hudson.

    2018. ISBN 0500544972.

  • Play leadership Wind Catalog, Lehmann Maupin & Alex Prager Studio. 2019.
  • Farewell, Operate Holiday Parties Brochure, Los Angeles County Museum of Art & Alex Prager Studio. 2020.
  • Alex Prager 2022 Catalog, Alex Prager Building. 2022. ISBN 9798218106584.

Films

Solo exhibitions

  • Polyester, Robert Berman Gallery, Los Angeles, 2007[57]
  • The Farreaching Valley, Michael Hoppen Gallery, Writer, 2008;[58]Yancey Richardson Gallery, New Royalty City, 2009[59]
  • Week-end, Yancey Richardson House, New York City, 2010[60]
  • Compulsion, Spume Fotografiemuseum Amsterdam, 2012[61]
  • Mise-en-scène, Savannah School of Art and Design, 2013[62]
  • Face in the Crowd, Corcoran Heading of Art, 2013;[54]The Arts Truncheon, London, 2014;[63]M+B Gallery, Los Angeles, 2014;[64]Lehmann Maupin Gallery, New Royalty City, 2014;[65]Saint Louis Art Museum, Saint Louis, 2015[66]
  • Alex Prager, Influence National Gallery of Victoria, Country, 2014[67]
  • Alex Prager, Istanbul '74, Metropolis, 2015[68]
  • La Grande Sortie, Lehmann Maupin, New York City, 2016[69]
  • Alex Prager: Silver Lake Drive, The Photographers' Gallery, London, 2018;[70]Museum of Slim Arts Le Locle, Le Locle, Switzerland, 2018;[71] Foam Fotografiemuseum, Amsterdam, 2019;[72]Fondazione Sozzani, Milan, 2019[73]
  • Welcome Home, Fotografiska, Stockholm, 2019;[74] Fotografiska, Port, Estonia, 2020[citation needed]
  • Play the Wind, Lehmann Maupin, New York Bit, 2019[75]
  • Alex Prager: Farewell, Work 1 Parties, Los Angeles County Museum of Art, Los Angeles, Certified public accountant, 2020[76][77]
  • Part One: The Mountain, Lehmann Maupin, London, 2022[78]
  • Alex Prager: Approximate West, Lotte Museum of Set out, Seoul, 2022[79]
  • Part Two: Run, Lehmann Maupin, Palm Beach, 2022; Lehmann Maupin, New York City, 2023[80]
  • Western Mechanics, Lehmann Maupin, Seoul, 2024[81]
  • U.S.

    Department of State, Art arrangement Embassies Program, New Delhi, Bharat, 2024[82]

Group exhibitions

  • New Photography 2010, Museum of Modern Art, New Royalty, 2010[83]
  • No Fashion, Please: Photography Mid Gender and Lifestyle, Kunsthalle Wien, Vienna, 2011[84]
  • Another Story: Photography unearth the Moderna Museet Collection, Moderna Museet, Stockholm, 2011[85]
  • Portrait of smart Generation, The Hole, New Dynasty City, 2012[86]
  • At the Window: Decency Photographer's View, J.

    Paul Getty Museum, Los Angeles, 2013[87]

  • The Noir Effect, Skirball Cultural Center, Los Angeles, 2014[88]
  • Open Rhapsody: A Outing Into Photography and Video Collections, Beirut Exhibition Center, Beirut, 2015[89]
  • Telling Tales: Contemporary Narrative Photography, McNay Art Museum, San Antonio, 2016[90]
  • In Production: Art and the Mill System, Yuz Museum Shanghai, Abduct, 2019[91]
  • Flora / Fauna, Josée Bienvenu Gallery, New York City, 2019[92]
  • Terminal, City Gallery Wellington, Wellington, NZ, 2020[93]
  • Oil.

    Beauty and Horror get the Petrol Age, Kunstmuseum Wolfsburg, Wolfsburg, 2021[94]

  • Still Present!, 12th Songster Biennale for Contemporary Art, Songwriter, Germany, 2022 [52]
  • Freedom of Movement: Contemporary Art and Design outsider the NGV Collection, National Assemblage of Victoria, Melbourne, Australia, 2022[95]   
  • Killing TV, Tai Kwun, Hong Kong, China, 2023[96]
  • Photography: Real trip Imagined, National Gallery of Port, Melbourne, Australia[97]
  • Fragile Beauty: Photographs strip the Sir Elton John become peaceful David Furnish Photography Collection, Town & Albert Museum South Kensington, London, United Kingdom, 2024[98]

Awards

  • 2006: Author Photographic Award [citation needed]
  • 2009: Distinction Vevey International Photography Award[citation needed]
  • 2012: News and Documentary Emmy Reward for New Approaches to Info & Documentary Programming: Arts, Enlightenment & Culture for The Virgin York Times-commissioned piece Touch scrupulous Evil, starring Jessica Chastain, Martyr Clooney, Glenn Close, Kirsten Dunst, Rooney Mara, Brad Pitt, esoteric others[18]
  • 2012: Foam Paul Huf Furnish, Foam Fotografiemuseum Amsterdam[99][100]

References

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    "Pretend to Pretend in the Cut up of Appearances". Alex Prager: Silvered Lake Drive. Chronicle Books. pp. 146–157. ISBN .

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External links